Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝) | A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami) 吉原傾城新美人自筆鏡 | Japan | Edo period (1615–1868) |
Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝) | A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami) 吉原傾城新美人自筆鏡 | Japan | Edo period (1615–1868) |
Kitao Masanobu (Santō Kyōden) 北尾政演 (山東京伝) | A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami) 吉原傾城新美人自筆鏡 | Japan | Edo period (1615–1868) |,The Madwoman with the Letter (Fumihiroge kyôjo) with Poem by Kawara no Sadaijin, no. 14 from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)「小倉擬百人一首」「十四」「河原左大臣」「文 ,麿 赤児 幻野行 / Maro Akaji Going through the Field of Illusion - 朝倉 俊博 / Toshihiro Asakura,Kawanabe Kyōsai 河鍋暁斎 | Kyōsai's Pictures of One Hundred Demons (Kyōsai hyakki gadan) 暁斎百鬼画談 | Japan | Meiji period (1868–1912) | The Metropolitan Museum of Art,残響散歌/朝が来る